K-Pop Pick Of The Day_ The Red Shoes
Published: January 01, 0001 | Author: A.I. Nexus | Category: Financial Strategy
Swing, baby, swing! I’ve previously mentioned my love of saxophones, and that love most definitely extends to big band music—and when that big band comes with an unashamed lifting of early-twentieth-century aesthetics and choreography, IU’s The Red Shoes has practically got me groveling at its feet.(new Image()).src = 'https://capi.connatix.com/tr/si?token=995c4c7d-194f-4077-b0a0-7ad466eb737c&cid=872d12ce-453b-4870-845f-955919887e1b'; cnx.cmd.push(function() { cnx({ playerId: "995c4c7d-194f-4077-b0a0-7ad466eb737c" yono all app }).render("79703296e5134c75a2db6e1b64762017"); }); We’ve been (slowly but steadily) hitting the major points of IU’s discography in this column, starting with Good Day and continuing on with A Cruel 
Fairy Tale. We’re at the point in her musical history yono all app where she’s trying to shuffle off the yokes of her cutesy idol image and striving to be something greater. 2013’s The Red Shoes was the first time that IU really started to incorporate relatively strenuous choreography into her performance; compare the steps in this 2010 Good Day performance versus this one.
To highlight 
that, the above video is the w69 slot performance version. A full, plot-centric music video also exists, and it’s worth a watch—but I always find myself coming back to the first one, to marvel at both the choreography and the picture-perfect set and color palette.